Jeong Hur
In this project, Jeong Hur reproduces his fragmentary false memories in the real world by using film which is one representative medium for capturing the real world. Without his camera, he exposed phIn this project, Jeong Hur reproduces his fragmentary false memories in the real world by using film which is one representative medium for capturing the real world. Without his camera, he exposed photographic film itself to the natural environment that he usually experiences such as places he regularly visits, including streets, stuff he often uses, or food. Surprising images from the process have become a better way for him to represent his memories rather than a photo that sharply depicts the real world.
In this project, Jeong Hur reproduces his fragmentary false memories in the real world by using film which is one representative medium for capturing the real world. Without his camera, he exposed phIn this project, Jeong Hur reproduces his fragmentary false memories in the real world by using film which is one representative medium for capturing the real world. Without his camera, he exposed photographic film itself to the natural environment that he usually experiences such as places he regularly visits, including streets, stuff he often uses, or food. Surprising images from the process have become a better way for him to represent his memories rather than a photo that sharply depicts the real world.
Crawling
2018
Alternative processed photographic film
archival pigment print
11” x 17” / Editions of 10
Meteor shower 2018
Alternative processed photographic film
archival pigment print
11” x 17” / Editions of 10
Girl, Sky and Comet
2018
Alternative processed photographic film,
archival pigment print
11” x 17” / Editions of 10
Night lake
2018
Alternative processed photographic film
archival pigment print
17” x 11” / Editions of 10
Unknown landscape #2
2018
Alternative processed photographic film,
archival pigment print
17” x 11” / Editions of 10
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